旋齿鲨
旋齿鲨插画画廊
uid: 268995
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Try to imagine that there are lines running across your face, showing the shape of it - it's sometimes hard to tell how the structure lies by just looking at something. Better yet, if you are ever inclined, paint straight lines running down your face and take a photo of it. You'll see that the lines look everything but straight when you look in a mirror - in fact, you might discover an entirely new way of looking at your own features (I once did this, believe it or not: it took a while to wash all the makeup off afterwards).
When you shade, keep these lines in mind. Don't paint them in unless you feel you absolutely have to (and if so, on a separate layer), but try to imagine them while you shade.
Common mistakes: Imagining the eyeball not as round, but as elliptic. Shading the surrounding area as well as the eyeball as if it is the shape and size of what shows, not what is hidden behind lid and flesh.
Try to imagine that there are lines running across your face, showing the shape of it - it's sometimes hard to tell how the structure lies by just looking at something. Better yet, if you are ever inclined, paint straight lines running down your face and take a photo of it. You'll see that the lines look everything but straight when you look in a mirror - in fact, you might discover an entirely new way of looking at your own features (I once did this, believe it or not: it took a while to wash all the makeup off afterwards).
When you shade, keep these lines in mind. Don't paint them in unless you feel you absolutely have to (and if so, on a separate layer), but try to imagine them while you shade.
Common mistakes: Imagining the eyeball not as round, but as elliptic. Shading the surrounding area as well as the eyeball as if it is the shape and size of what shows, not what is hidden behind lid and flesh.
Try to imagine that there are lines running across your face, showing the shape of it - it's sometimes hard to tell how the structure lies by just looking at something. Better yet, if you are ever inclined, paint straight lines running down your face and take a photo of it. You'll see that the lines look everything but straight when you look in a mirror - in fact, you might discover an entirely new way of looking at your own features (I once did this, believe it or not: it took a while to wash all the makeup off afterwards).
When you shade, keep these lines in mind. Don't paint them in unless you feel you absolutely have to (and if so, on a separate layer), but try to imagine them while you shade.
Common mistakes: Imagining the eyeball not as round, but as elliptic. Shading the surrounding area as well as the eyeball as if it is the shape and size of what shows, not what is hidden behind lid and flesh.
Instructions:So, first I'll build the area around the eye up. I do this by picking a highlight (in this case, the same one that I used for the eyelid) and I figure out where the light would fall.
People have different shapes of eyes, but a rule of thumb is that you'll have a soft, pillowed area just below the eyebrow (along the entire length, actually, though I've only highlighted part of it here - the other part 'pops' out because I've shaded below and above), one upon the cheekbone and then it'll always help to make the area just around the corner of the eye look a little less flat. Close your eye and gently trace the shape with your fingertips. You'll have the swell of the eyelid, the area below the eyebrow and then the cheekbone, right? Remember that an area like this is likely to leave a shadow below.
The problem here, of course, is that we're not painting the entire face - it's easier to fit an eye in when there is something to fit it into.
Common mistakes: Too stark shading. Using pure black or even lines to show edges.
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旋齿鲨插画画廊 http://chahua.com/u/268995
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[8 楼]
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Posted:2008-02-12 16:32| |
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插画中国 -> Painter教程、Photoshop教程与电脑绘画软件技术 -> 国外教程 
